February 3, 2026Opening Before being a matter of art, what is at stake here is a stance toward life.
We live surrounded by bodies, gestures, actions, reactions, discourses, and movements. In general, we learn to evaluate them by what they show, by form, efficiency, expressiveness, and visible results.
We are rarely invited to ask why a body does what it does.
Not out of psychological curiosity, nor moral judgment, but out of a more fundamental necessity: to understand that every action is a situated decision, traversed by history, limits, desires, fears, and concrete possibilities.
On theatrical architecture, construction, and the suspension of the world The word “theatre” designates two distinct things:
the act of making theatre
and the theatre building.
This manifesto explicitly addresses the second.
We do not propose a new dramaturgy,
nor an acting technique,
nor an aesthetic style.
We propose a new way of constructing the theatre building
and, through it, a new way for theatre to operate in the world.
Decoloniality as form and experience Decoloniality is often understood as a field of explicit positions. A territory marked by clear discourses, named genealogies, and direct confrontations with colonial history. This dimension is fundamental. It responds to real wounds. But it does not exhaust what a decolonial practice can be within the field of art.
This text starts elsewhere.
From what does not begin with the idea.
When I work, I do not look for clarity.
Corporeal mime and live sound as a practice of action and relation This manifesto does not describe a method nor propose a closed pedagogical system.
It affirms a position, an ethics of the body, and a mode of relation that manifests itself through practice.
1. The irreducible basis Corporeal mime as a technique of action Corporeal mime was not born to illustrate emotions, to narrate stories, or to produce beautiful forms.
Art is not necessary because it saves, redeems, or responds to a crisis.
Those arguments are weak, because any practice could claim the same role.
Art is necessary now for a more precise reason: it is the only socially recognized practice capable of suspending purpose without having to justify itself through effectiveness, impact, or improvement.
We live under a permanent regime of urgency. Everything must respond, solve, optimize, or position itself.
Hi everyone, welcome to my webpage! Here I’ll be sharing not only what I have created so far, but also some of my ideas and reflections on art.